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ttown71
Joined: 23 Feb 2007 Posts: 88 Location: Los Angeles |
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How do I attach image from desktop |
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Do I have to have it on a server?
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| Mon Mar 24, 2008 4:33 pm |
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Gage

Joined: 31 Jan 2007 Posts: 4424 Location: Hollywood, CA |
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upload image to imageshack.us
copy link to post, highlight link, click on IMG.
Done and done.
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| Mon Mar 24, 2008 4:48 pm |
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ttown71
Joined: 23 Feb 2007 Posts: 88 Location: Los Angeles |
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Here is my image sans colorista (used color balance to make the image blue)
Thanks Gage for the imageshack info
By Ttown71
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| Mon Mar 24, 2008 5:09 pm |
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SinopseMedia
Joined: 24 Mar 2008 Posts: 1
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Here is the result of fifteen minutes of work. Just playing around and seeing what I could do quickly.
First One:
Second One:
Third One (Green for the Hulk):
All are done with just a three-way color correction and curves adjustment done in Sony Vegas.[/img]
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| Mon Mar 24, 2008 5:43 pm |
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dcloud
Joined: 24 Mar 2008 Posts: 46
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curves, then hue/saturation in afx
needs a bit more correcting but its pretty closeto what i like

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| Tue Mar 25, 2008 4:36 am |
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jjb
Joined: 06 May 2007 Posts: 4 Location: LA |
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Quickly done in FCP with Colorista and FCP 3way.
Looks a bit too blue overall but I doo not dislike the skin tones.

_________________ Jean-Jacques Briquet |
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| Tue Mar 25, 2008 11:03 pm |
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shaughan

Joined: 05 Mar 2007 Posts: 844 Location: Moorpark, CA |
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My wife Nancy did this in FCP. She can pose the details here - One of the things we both noticed about a lot of the corrections done here was the lost detail of the woma's face. So Nancy was very aware of that issue and tried to retain that detail.

_________________ Pontificatious Ramblings |
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| Wed Mar 26, 2008 8:57 am |
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jwdenzel

Joined: 15 Jan 2007 Posts: 291 Location: Northern California |
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I'm working on my image now. I love this kind of homework.
Stu (or any other AE guru out there)... What are the steps to do what is described here:
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Rather than perform a key, I used the Hue and Saturation curves to isolate the skin tones and adjust them. |
In my first attempt, I used a key. But I like Stu's idea better. I just don't know how to get it.
J
_________________ www.JasonDenzel.com
www.Argonaut-Ent.com |
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| Wed Mar 26, 2008 9:51 am |
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Stu
Site Admin

Joined: 08 Jan 2007 Posts: 917 Location: San Francisco |
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| Wed Mar 26, 2008 10:48 am |
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jwdenzel

Joined: 15 Jan 2007 Posts: 291 Location: Northern California |
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Here's my first attempt on this shot. The woman's eye is the thing I struggled the most with. I wanted to preserve it, but it gets crushed so easily when you darken the image in any way.
I also added some more rain in After Effects. The image seemed a little more natural to me if the rain was emphasized. The guy in the background feels more real because of his squint.
(BTW - I want to know what happens next after this shot! Will he get her?!?!)
J

_________________ www.JasonDenzel.com
www.Argonaut-Ent.com |
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| Wed Mar 26, 2008 10:50 am |
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jwdenzel

Joined: 15 Jan 2007 Posts: 291 Location: Northern California |
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| Wed Mar 26, 2008 10:52 am |
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robertdee

Joined: 27 Feb 2007 Posts: 310 Location: Amsterdam, Europe |
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Here's my attempt in Apple Color. Sending a still (embedded in a FCP timeline with a ten second duration) seemed to behave strangely which I imagine is still a bug (sometimes the image was present, sometimes not, depending on where I had the timeline marker). When I rendered it out and went back to FCP, it was a 1 frame still. I don't think color is designed for stills.
I made a primary correction to adjust contrast then made a secondary to give the blue/green effect. I made another secondary after that, using the eyedropper tool to select the skin tones and blurred the selection mask. Then I adjusted those. I did one more secondary where I put a heavily feathered rectangular vignette over the talent and chose "outside" to choose the outside of the selection and added some more blue (most noticeable in the left hand of the picture). I worked my way through the apple training color book last week so this is my first attempt after going through that.

_________________ http://www.robert-dee.com
http://www.englishmaninamsterdam.blogspot.com |
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| Wed Mar 26, 2008 10:54 am |
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shaughan

Joined: 05 Mar 2007 Posts: 844 Location: Moorpark, CA |
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Updated version from the wife and her comments:
Nance sez:
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I used the Color Corrector 3-way in FCP, masking the skin tones and
inverting the selection. The hardest part was including the shadow
under her eye with the skin tones. It came out blue in the first
one. I cranked up the softness a little more to include that shadow: |

_________________ Pontificatious Ramblings |
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| Wed Mar 26, 2008 1:30 pm |
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dravani
Joined: 26 Mar 2008 Posts: 1 Location: New York City |
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Shake in the mix... |
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I went the Shake route and ran it through a color correction script I whipped up for this thing based on what you were trying to do in the original post. I like keeping the skin tones, but I get really annoyed lately when I watch movies and see the kicker light is a brilliant yellow, the face is Dick Clark orange, and the scene is blue cast. What happened to color in films? I don't think a digital tan really looks good on anyone... cept maybe MariaH Carey. Hides cellulite... [img]<a href="http://img87.imageshack.us/my.php?image=rainwalkersccde7.jpg" target="_blank"><img src="http://img87.imageshack.us/img87/306/rainwalkersccde7.th.jpg" border="0" alt="Free Image Hosting at www.ImageShack.us" /></a><br /><br /><a href="http://img604.imageshack.us/content.php?page=blogpost&files=img87/306/rainwalkersccde7.jpg" title="QuickPost"><img src="http://imageshack.us/img/butansn.png" alt="QuickPost" border="0"></a>[/img]
_________________ HVX200/Letus35/Canon Lenses - Red coming soon. Mac Pro 4X - FCS2, Shake4.1, Nuke 5, Maya 2008, Adobe stuff |
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| Wed Mar 26, 2008 3:42 pm |
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Gage

Joined: 31 Jan 2007 Posts: 4424 Location: Hollywood, CA |
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| Wed Mar 26, 2008 5:21 pm |
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