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Vegas and AE-full feature film?

 
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Vegas and AE-full feature film?
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El Director



Joined: 08 May 2010
Posts: 49

Post Vegas and AE-full feature film? Reply with quote
I start shooting my next feature soon and this will be the first time I online it in After Effects (my previous two stayed in Vegas). I'll be doing an offline edit in Sony Vegas, the entire film in one timeline. I know how to bring my Vegas project into AE, swap out the files, grade and master it. My question is, will AE handle an entire feature film at once in HD? I'm shooting with the T2i and would like to use the original quicktime files to master. I have AE CS4.
Thanks!
Mon Jul 05, 2010 1:07 pm View user's profile Send private message
El Director



Joined: 08 May 2010
Posts: 49

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Anyone?
Mon Aug 16, 2010 1:35 am View user's profile Send private message
tazer



Joined: 29 Jul 2008
Posts: 293
Location: miami florida

Post Reply with quote
i dont know, but you can always stay on the safe side and cut your movie into many different parts (like 10-20 min each) and throw those in AE.
when ur done with the online for each part render to TIFFS. when you have all the TIFFS exported for the entire movie use quicktime pro or even backto after effects to render out the deliverable files.

make sense? im sure there are dozens of other possibilities, and possibly AE CAN hand the whole thing, i dont know though.

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Mon Aug 16, 2010 8:48 am View user's profile Send private message Visit poster's website AIM Address
Brandt



Joined: 02 Apr 2007
Posts: 190
Location: Portland, OR

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ED, what is your final target format? Blu-Ray? DVD? Each of these will have different requirements of your final output. AE and Encore can share chapter markers, so you can master in AE and output your H.264 file for Blu-Ray output, if that's your choice.

Also, Vegas can export an AAF file, which After Effects can read, so you can simply edit, then open the EDL in AE, without the need to render. Just include all of your 20 minute reels in the timeline and render once.

You might also try Cineform NeoScene, which interpolates your color into 10-bit 4:2:2 color space. Definitely a plus when you're mastering.
Mon Aug 16, 2010 2:19 pm View user's profile Send private message
El Director



Joined: 08 May 2010
Posts: 49

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Target format is DVD and BluRay. I know about the AAF EDL trick, my concern was that I just don't know how stable AE is with a long project.
Tue Aug 17, 2010 1:50 pm View user's profile Send private message
Brandt



Joined: 02 Apr 2007
Posts: 190
Location: Portland, OR

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The longest work I've processed through is 46 minutes, and, while it took a long time to render, I had no technical problems.

There are others on the forum who have finished longer work in AE that may chime in...
Tue Aug 17, 2010 8:54 pm View user's profile Send private message
El Director



Joined: 08 May 2010
Posts: 49

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good to know. Thanks! =D
Wed Aug 18, 2010 1:07 am View user's profile Send private message
El Director



Joined: 08 May 2010
Posts: 49

Post Reply with quote
Having another issue at the moment. Immigration isn't working well on a feature length project so I'm looking for other options. My offlines (proxies) are .avi and the HD files are .mov I need to swap out the avi's for the mov's. Is there a free way to batch do this? Or will I be stuck doing it all by hand? Also having problems importing my .aaf from Vegas. It worked just fine on my old machine, but my new one doesn't seem to like it =/

Thanks
Thu Apr 28, 2011 10:18 pm View user's profile Send private message
Mr. Ichybob



Joined: 13 Aug 2007
Posts: 857
Location: SouthBay -- L.A.

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you may have problems using the H.264 codec from the camera - it not an editing format - I would transcode to something better to work with. (yes I know the guide is all about pixel purity but it was written around the dv codec, an all I frame editing codec).
Fri Apr 29, 2011 1:28 pm View user's profile Send private message Send e-mail
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